Холиварофорум

Анон

Re: Timothée Chalamet [Фандомное]

▼Кто-нибудь скучал по Тимо-селфи? Он тут выдал прям от души! Красота неописуемая!       ⬍

▼И еще. Это специально для меня - любителя шейки)) Тимо, дорогой, спасибо! ⬍

твою маму
лука-авка очень говорящая))

Анон

Re: Timothée Chalamet [Фандомное]

Эппл ТВ выложили еще одно видео. И опять Тимо такой красивый, и само видео такое живое, он ни секунды спокойно не сидит, все время жестикулирует, поправляет волосы, кольцами опять своими играет. Классный

▼Timothée Chalamet reviews what's on and coming to Apple TV+⬍

https://va.media.tumblr.com/tumblr_rp95 … yj_720.mp4

▼Только Шаламе способен сняться в ролике для Эппл с треснутым айфоном  ⬍

Красивый конечно, но, если у него самого проекта там не будет, то пошли бы ябло-тв нафиг))

Анон

Re: Timothée Chalamet [Фандомное]

Красивый конечно, но, если у него самого проекта там не будет, то пошли бы ябло-тв нафиг))

Ну я считаю, что вся эта рекламная кампания и является объявлением о будущем совместном проекте, там, по-моему, настолько все очевидно, что осталось только прямым текстом сказать. Иначе какой смысл приглашать одного из популярнейших актеров, платить ему кучу бабок, снимать его в дорогом ролике и в доп.материалах (и я уверен, что это еще не все)? Тимоти просто так ничего не делает, а уж такая организация как Эппл тем более)

Анон

Re: Timothée Chalamet [Фандомное]

▼Тимо вспомнил, что у него есть ещё и твиттер и туда тоже можно постить красивые фотки) ⬍

Анон

Re: Timothée Chalamet [Фандомное]

▼Тимо вспомнил, что у него есть ещё и твиттер и туда тоже можно постить красивые фотки) ⬍

Хорош зараза

Анон

Re: Timothée Chalamet [Фандомное]

▼Тимо вспомнил, что у него есть ещё и твиттер и туда тоже можно постить красивые фотки) ⬍

Представьте, вы заходите на балкон, а там ОН 

Анон

Re: Timothée Chalamet [Фандомное]

▼Тимо вспомнил, что у него есть ещё и твиттер и туда тоже можно постить красивые фотки) ⬍

Такой взгляд   

Анон

Re: Timothée Chalamet [Фандомное]

▼Иногда мне удивительно, как природе удалось создать настолько красивое существо       ⬍

Анон

Re: Timothée Chalamet [Фандомное]

Очень хорошее интервью с Хайдером Акерманом, в котором он опять сказал много добрых слов о Тимоти (и Тимоти о нём )

▼Анон сохранил эти цитаты для себя, потому что они тронули его за душу  ⬍

Never complain, never explain. Very British! You were also very lucky because as soon as things opened up again, you were able to work independently on high-profile red-carpet events with two of your long-term collaborators, Tilda Swinton and Timothée Chalamet. Was this something that you consciously initiated to maintain your profile?

Yes, and I was also very lucky to be supported by those two people, to share their faithfulness and loyalty at a time when all this was going on in my little life. Even knowing what the rest of the fashion world didn’t, Tilda and Timothée kept knocking on my door and wanting me to be out there with them. I owe them – and, of course, you, Jerry – 
a lot for allowing me to maintain this presence on the fashion circuit where people could still see me, like a glimpse of my absence. It was very strange being out there and then disappearing again. It was necessary for me also to feel alive, to exist

How did you meet Timothée?

It was all accidental. It happened when I was working for Berluti and I got a request from Brian Swardstrom [agent for Chalamet and Swinton], asking if I would be interested in meeting the young Chalamet. It was his first red carpet in Berlin, for Call Me by Your Name; I didn’t know what would happen afterwards – I didn’t see it coming. Sometimes you meet someone, and you just know you can build a story together and have a moment together that may really last.

‘Haider is one of my closest friends and a creative from a lost era – his is the rare passion that cares about the purity of design, shapes, colours, textures, and the feelings they evoke. He couldn’t possibly pretend to care about a fashion cycle or algorithm-influenced trends – his talent and creativity are set to last because he is following his own drum beat, no one else’s.’

Timothée Chalamet

The two most recent collaborations were at this year’s Venice Film Festival, and both were very impactful. Let’s talk first about Timothée; how did the idea for that silhouette evolve? That backless red shantung waistcoat and love handles went viral and was a huge moment for you!

[Laughs] It was just about questioning. We talk a lot about transgender and gender fluidity, which I am of course intrigued by, but not particularly attached to. What I do find interesting, though, is the vanity of men, and how men are vainer than they used to be; they are more challenging. Timothée is in full view at the moment, so we wanted to create a moment and raise questions, to see how far we could go with something, to see what could be done with a man who is very masculine showing his sensibility, showing his nudity. Why is nudity always about women? That questioning came about when we were just playing together. I noticed the assurance he had when he started walking and looking at himself in the mirror, and I was like, OK, we have to do something challenging as you feel so confident and you look at yourself with such self-assurance. There was all this seductive energy going on and I was like we have to do this. It was not prepared and it was not calculated. There were no stylists around; it was just him and me playing around, and that is how it came across. That is the beauty of our businesses: when you’re with a close group of people, you can build and create together. Nowadays, the industry is so big and you have to be surrounded by so many people with so many opinions that you lose perhaps these kind of special moments.

Tilda’s silhouette was equally impactful in Venice this year. Did you approach that silhouette knowing already that you had the position at Gaultier Couture? Did you approach that dress as a couture silhouette, more so than you might have done in the past? Did you want her to project on a different level?

Perhaps, and perhaps unconsciously it also affected my work with Timothée. Lately I’ve been looking at all the archives and Monsieur Gaultier had already begun subverting the codes like 20 or 30 years ago; it is almost ridiculous when you look back on it. It is immense! He played with fashion on every cultural level and let’s face it, he did a naked back on a guy 30 years ago! I only realized last week, looking back at all the archives, that everything has been done before, which is fascinating and beautiful. So perhaps unconsciously all this was playing in my head, which just gave me the freedom to play after having been this prisoner for such a long time, for these two long years!

Анон

Re: Timothée Chalamet [Фандомное]

▼Шаламе и Акерман, ну почему вы такие классные? Обожаю обоих! ⬍

Анон

Re: Timothée Chalamet [Фандомное]

Эти Apple TV+ и Тимоти Шаламе не успокоятся, пока не добьют всех окончательно

▼Видео⬍

https://youtu.be/JC6cqQ4c4n8

▼Фото⬍

Анон

Re: Timothée Chalamet [Фандомное]

Очень хорошее интервью с Хайдером Акерманом, в котором он опять сказал много добрых слов о Тимоти (и Тимоти о нём )

▼Анон сохранил эти цитаты для себя, потому что они тронули его за душу  ⬍

Never complain, never explain. Very British! You were also very lucky because as soon as things opened up again, you were able to work independently on high-profile red-carpet events with two of your long-term collaborators, Tilda Swinton and Timothée Chalamet. Was this something that you consciously initiated to maintain your profile?

Yes, and I was also very lucky to be supported by those two people, to share their faithfulness and loyalty at a time when all this was going on in my little life. Even knowing what the rest of the fashion world didn’t, Tilda and Timothée kept knocking on my door and wanting me to be out there with them. I owe them – and, of course, you, Jerry – 
a lot for allowing me to maintain this presence on the fashion circuit where people could still see me, like a glimpse of my absence. It was very strange being out there and then disappearing again. It was necessary for me also to feel alive, to exist

How did you meet Timothée?

It was all accidental. It happened when I was working for Berluti and I got a request from Brian Swardstrom [agent for Chalamet and Swinton], asking if I would be interested in meeting the young Chalamet. It was his first red carpet in Berlin, for Call Me by Your Name; I didn’t know what would happen afterwards – I didn’t see it coming. Sometimes you meet someone, and you just know you can build a story together and have a moment together that may really last.

‘Haider is one of my closest friends and a creative from a lost era – his is the rare passion that cares about the purity of design, shapes, colours, textures, and the feelings they evoke. He couldn’t possibly pretend to care about a fashion cycle or algorithm-influenced trends – his talent and creativity are set to last because he is following his own drum beat, no one else’s.’

Timothée Chalamet

The two most recent collaborations were at this year’s Venice Film Festival, and both were very impactful. Let’s talk first about Timothée; how did the idea for that silhouette evolve? That backless red shantung waistcoat and love handles went viral and was a huge moment for you!

[Laughs] It was just about questioning. We talk a lot about transgender and gender fluidity, which I am of course intrigued by, but not particularly attached to. What I do find interesting, though, is the vanity of men, and how men are vainer than they used to be; they are more challenging. Timothée is in full view at the moment, so we wanted to create a moment and raise questions, to see how far we could go with something, to see what could be done with a man who is very masculine showing his sensibility, showing his nudity. Why is nudity always about women? That questioning came about when we were just playing together. I noticed the assurance he had when he started walking and looking at himself in the mirror, and I was like, OK, we have to do something challenging as you feel so confident and you look at yourself with such self-assurance. There was all this seductive energy going on and I was like we have to do this. It was not prepared and it was not calculated. There were no stylists around; it was just him and me playing around, and that is how it came across. That is the beauty of our businesses: when you’re with a close group of people, you can build and create together. Nowadays, the industry is so big and you have to be surrounded by so many people with so many opinions that you lose perhaps these kind of special moments.

Tilda’s silhouette was equally impactful in Venice this year. Did you approach that silhouette knowing already that you had the position at Gaultier Couture? Did you approach that dress as a couture silhouette, more so than you might have done in the past? Did you want her to project on a different level?

Perhaps, and perhaps unconsciously it also affected my work with Timothée. Lately I’ve been looking at all the archives and Monsieur Gaultier had already begun subverting the codes like 20 or 30 years ago; it is almost ridiculous when you look back on it. It is immense! He played with fashion on every cultural level and let’s face it, he did a naked back on a guy 30 years ago! I only realized last week, looking back at all the archives, that everything has been done before, which is fascinating and beautiful. So perhaps unconsciously all this was playing in my head, which just gave me the freedom to play after having been this prisoner for such a long time, for these two long years!

▼Шаламе и Акерман, ну почему вы такие классные? Обожаю обоих! ⬍

прекрасные

Анон

Re: Timothée Chalamet [Фандомное]

Эти Apple TV+ и Тимоти Шаламе не успокоятся, пока не добьют всех окончательно

▼Видео⬍

https://youtu.be/JC6cqQ4c4n8

▼Фото⬍

лол, интересно, стилистика антуража как-то связана с возможным будущим проектом?

Анон

Re: Timothée Chalamet [Фандомное]

▼Шаламе и Акерман, ну почему вы такие классные? Обожаю обоих! ⬍

Friendship goals

Анон

Re: Timothée Chalamet [Фандомное]

▼Иногда мне удивительно, как природе удалось создать настолько красивое существо       ⬍

И к тому же умное и доброе 

Спасибо за подборку, как всегда классная  Утащу себе пару фоток)

Анон

Re: Timothée Chalamet [Фандомное]

Эти Apple TV+ и Тимоти Шаламе не успокоятся, пока не добьют всех окончательно

▼Видео⬍

https://youtu.be/JC6cqQ4c4n8

▼Фото⬍

Интересно, а в жизни он сам себе завтраки готовит?)

Анон

Re: Timothée Chalamet [Фандомное]

лол, интересно, стилистика антуража как-то связана с возможным будущим проектом?

Было бы здорово, мне очень нравится)

▼Красиво⬍

Интересно, а в жизни он сам себе завтраки готовит?)

Я почему-то думаю, что нет. Тимо - обладатель многих талантов, но кулинария в их число не входит

Анон

Re: Timothée Chalamet [Фандомное]

▼Красиво⬍

А вам не кажется, что его состарили? Лицо совсем другое. Как будто тонна грима.

Анон

Re: Timothée Chalamet [Фандомное]

▼Красиво⬍

А что у него в тарелке? Круассан?)

Анон

Re: Timothée Chalamet [Фандомное]

Аноны, есть тут знатоки, которые знают вот прям всё всё о Тиме? У меня вопрос: кто-то знает его время рождения?)

Анон

Re: Timothée Chalamet [Фандомное]

Аноны, есть тут знатоки, которые знают вот прям всё всё о Тиме? У меня вопрос: кто-то знает его время рождения?)

Анон, я сейчас уже не найду ссылку, но я когда-то наткнулся в тумблере на обсуждение, где народ интересовался этим же вопросом. Они перерыли весь гугл, достоверной инфы не нашли и решили, что единственный человек, который знает точно - это Тимохина мама, надо спрашивать у нее

Анон

Re: Timothée Chalamet [Фандомное]

Аноны, есть тут знатоки, которые знают вот прям всё всё о Тиме? У меня вопрос: кто-то знает его время рождения?)

Анон, я сейчас уже не найду ссылку, но я когда-то наткнулся в тумблере на обсуждение, где народ интересовался этим же вопросом. Они перерыли весь гугл, достоверной инфы не нашли и решили, что единственный человек, который знает точно - это Тимохина мама, надо спрашивать у нее

Хах, гениально 

Попалось вот такое видео и тут говорится что он родился в 21:16

▼Не знаю насколько эта информация верна, но может всё-таки кто-то и спросил у его мамы ⬍

Анон

Re: Timothée Chalamet [Фандомное]

Хочу вторую дюну прямо сейчас. 

Анон

Re: Timothée Chalamet [Фандомное]

Хочу вторую дюну прямо сейчас. 

А мне интересно, где в этом году будут Тимкины премьеры? Я очень надеюсь, что Дюна опять будет в Венеции. А в Лондоне пусть будет Вонка)

Анон

Re: Timothée Chalamet [Фандомное]

А мне интересно, где в этом году будут Тимкины премьеры? Я очень надеюсь, что Дюна опять будет в Венеции. А в Лондоне пусть будет Вонка)

было бы идеально